His coiffure forms a distinctive arc over his forehead.This third type is known from approximately 50 copies.Showcasing the best the trade has to offer, and enhanced by Abu Dhabi's leading role in promoting its own heritage.ADIHEX is a must-see event and definitely not one to be missed.This site is operated by a business or businesses owned by Informa PLC and all copyright resides with them. Under the patronage of HH Sheikh Hamdan bin Zayed Al Nahyan, Ruler's Representative in the Al Dhafra Region in the Emirate of Abu Dhabi and chairman of the Emirates Falconers Club, supported by The Cultural Programs and Heritage Festivals Committee, and organized by the Emirates Falconers Club at Abu Dhabi National Exhibition Center, the 16th edition of Abu Dhabi International Hunting and Equestrian Exhibition (Abu Dhabi 2017) will be held from 3 to 6 October 2018 in ADNEC (Halls 3 to 11).Informa PLC's registered office is 5 Howick Place, London SW1P 1WG. ADIHEX is the only dedicated hunting, equestrian, and outdoor sports exhibition in the region.The emperor’s fourth portrait type (below, left), created between 170 and 180 C.E., retains most of the features of the third type, but shows the emperor slightly more advanced in age with a very full beard that is divided in the center at the chin, showing parallel locks of hair.
Beginning in the 8th century, it was housed in the Lateran Palace, until it was placed in the center of the Piazza del Campidoglio in 1538 by Michelangelo. The statue is an over life-size depiction of the emperor elegantly mounted atop his horse while participating in a public ritual or ceremony; the statue stands approximately 4.24 meters tall. Equestrian Statue of Marcus Aurelius, gilded bronze, c. Further, the use of the statue in the Medieval, Renaissance, modern, and post-modern city of Rome has important implications for the connectivity that exists between the past and the present. Few examples of these equestrian statues survive from antiquity, however, making the a singular artifact of Roman antiquity, one that has borne quiet witness to the ebb and flow of the city of Rome for nearly 1,900 years. E.), the statue is an important object not only for the study of official Roman portraiture, but also for the consideration of monumental dedications. The original statue is now indoors for purposes of conservation. The statues themselves were, in turn, copied in other media, including coins, for even wider distribution. that was originally dedicated to the emperor Marcus Aurelius Antoninus Augustus, referred to commonly as Marcus Aurelius (reigned 161-180 C. Beginning in the 8th century, it was located near the Lateran Palace, until it was placed in the center of the Piazza del Campidoglio in 1538 by Michelangelo. E.) were to be seen—as they were official devices for honoring the emperor for singular military and civic achievements.